Resume
10 February 2016
Aurélie Sorriaux
(1994, Nancy)
PORTFOLIO
 
Studio Manager for Adam Jeppesen
Artist assistant of Alinka Echeverría
 
ART PLATFORM — SHOP
 
My photographic approach leans toward the trace as mark of existence, the memory and the experience. I attach a strong importance about the medium to present the images. I’m improving my knowledge about photography history, art history and literature. My photographic practice is especially made by silver photography, shot and print, even if the digital frequently appears as a complement.
 
EXHIBITIONS
2020
Identity II, Envision Art Gallery
Graduation Show, Gerrit Rietveld Academie, NL
Gerrit Rietveld Academie - The Graduation Show, FOAM Museum, NL
2018
Festival Locomotion, Gallery My Monkey, FR
Mission Nose out, collective, Beautiful Distress Huis, NL
Cringe - The Anticipation of Touch, collective, Stedelijk Museum, NL
2016
Les 400 vues, collective, FR
2015
Interstice, collective, FR
 
EDUCATION
BA Photography, Gerrit Rietveld Academie, Amsterdam, 2017-2020
2nd year of Fine Arts, Université de Lorraine, Metz, 2016-2017
BA Photography, École de Condé Nancy, 2013-2016
 

WORK
2019
Assisted Adam Jeppesen during the exhibition The Great Filter at BRANDTS — Museum of Art and Visual Culture, Odense, DK
Studio Assistant of Alinka Echeverría
 
RESIDENCE
2015
Les 400 vues, Paris
 

WORKSHOPS
2016
with Vincent Marcilhacy, Sophie Boidin
2015
with Ola Rindal, William Ropp, Michel Mazzoni, Anne Immelé
 

PRESS
L’Est Républicain, mai 2015
She does not like clichés. When Aurélie Sorriaux photographs Nice, she carefully avoids the Promenade des Anglais. The memory she brought back from Paris could come from the Indian subcontinent. It’s not about the places she photographs with her silver camera which never leaves her, but mostly « the instant » or the « scene » she witnesses. Aurélie Sorriaux is one of the 9 students of the second year of the École de Condé school to attend Michel Mazzoni’s workshop (photographer established in Bruxelles) about the theme « Strange and poetic in the everyday life ». « By dint of work on a screen, some students have a tendency to forget the notion of materiality », explains Michel Mazzoni. « We’ve conducted a work about the regard. I invited them to go behind the appearances ».
S.L